电影《出生证明》HD中字在线观看-魔兔影视分享大全

提醒：不要轻易相信视频中的广告，谨防上当受骗!
如果无法播放请重新刷新页面，或者切换线路。
视频载入速度跟网速有关，请耐心等待几秒钟。

报错刷新上一集下一集

简介

出生证明 HD中字10.0

10.0

网友评分

很差

较差

还行

推荐

力荐

85次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分

HD/1961/其它/战争/

864
微信扫一扫

复制下方链接，去粘贴给好友吧 -出生证明-HD中字复制链接
关注公众号观影不迷路
扫一扫用手机访问

影片信息

出生证明
片名：出生证明
状态：HD
主演：Andrzej/Banaszewski/Beata/Barszczewska/马里乌什·德莫霍夫斯基/
导演：斯坦尼斯拉夫·罗泽维格/
年份：1961
地区：其它
类型：战争/
时长：内详
上映：未知
语言：其它
更新：2026-07-30 02:00
简介：　　In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."　　The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.　　The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.　　The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.　　At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?　　Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies the bodies are transported during the night") in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!") and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road") a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."　　After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.　　In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."

首页电影战争片出生证明

播放列表

当前资源来源量子 - 量子

倒序

量子

HD中字

为你推荐

换一换

HD

欢迎来龙餐馆

2.0 沈腾/蒋奇明/奥马尔·谢里夫/李治廷/谢里夫·萨比/艾哈迈德·塞利姆/法鲁克·穆罕穆德/拉塞尔·希利/奈拉·阿克西姆/卡尔玛·哈齐姆/苇青/张熙唯/
TC

四渡

4.0 刘烨/王雷/于适/王志飞/王耀庆/林永健/印小天/张俪/袁文康/许魏洲/李九霄/蓝盈莹/曹炳琨/王雨甜/王天辰/谷嘉诚/李健/高戈/夏子轩/曹靖时/郭子凡/释小龙/李岷城/吴樾/赵达/谭凯/熊梓淇/李文玲/李晨/梁大维/潘斌龙/于晓光/刘欣杰/韩方晨/孙毅/曹成方/郝荣光/
HD

浴血困牛山

8.0 牛犇/寇振海/王俊东/卢海华/肖聪/陆怡璇/刘芳毓/赵中华/李丞峰/陈楷/任志宏/侯佳伟/袁宇龙/杨涌/泰煜恩/黄振宸/牛青峰/张未柯/佟小虎/马湘宜/
HD

安娜的战争

7.0 Marta/Kozlova/Lyubov/Vorozhtsova/Vladimir/Sapin/Aleksandr/Vakhov/康斯坦丁·埃土恩/
HD

第六巴士

9.0 Zala/Djuric/Arnaud/Humbert/埃尔敏·西贾米贾/
HD

德维塔耶夫

8.0 帕维尔·普里卢茨内/蒂莫菲·特里布纳采夫/阿列克谢·菲利蒙诺夫/德米特里·雷先科夫/叶夫根尼·塞尔津/奥列格·楚古诺夫/尼基塔·科洛格利维/帕维尔·切纳廖夫/亚历山大·里科夫/Maksim/Khanzhov/菲力·莱福斯丁/Patrick/Joswig/
HD

无声的抵抗

8.0 杰西·艾森伯格/艾德·哈里斯/克蕾曼丝·波西/马提亚斯·施维赫夫/埃德加·拉米雷兹/费利克斯·莫阿蒂/盖佐·罗赫里格/卡尔·马克维斯/维卡·克里克斯/贝拉·拉姆齐/艾丽西娅·冯·里特贝格/阿尔恩特·施韦林·索瑞/Philip/Lenkowsky/Aurélie/Bancilhon/Karina/Beuthe/Orr/
HD

栖霞寺1937

10.0 张新华/宋军/丁梦雨/
HD

山顶上的钟声

8.0 舒淇/吴辰君/王千源/黄勐/郝铁男/蓝海瀚/
HD

太行山上2005

7.0 王伍福/卢奇/梁家辉/刘德凯/李幼斌/陈姗姗/李树生/

HD

八百壮士

7.0 柯俊雄/林青霞/张艾嘉/秦汉/徐枫/冯淬帆/
HD

血性山谷

3.0 李树生/曲宁/蒋昌义/于东江/
HD

刺激1967

3.0 英格丽·褒曼/哈里特·安德森/古纳尔·布约恩施特兰德/斯文-伯蒂尔·陶布/Glenna/Forster-Jones/
HD

沙漠往事

6.0 维塔丽雅·科尔尼扬科/伊戈尔·戈尔金/Pyotr/Kharchenko/帕维尔·切纳廖夫/Aleksey/Komashko/Sergey/Borodinov/Gleb/Kozlyayev/Samvel/Muzhikyan/Anna/Potebnya/Ekaterina/Nesterova/Aleksandr/Robak/奥列格·瓦西里科夫/Alexander/Seteykin/Polina/Pushkaruk/Zakaria/Al/Yazidi/
HD

黄金大逃狱粤语版

5.0 张建声/吕良伟/陈保元/汤镇业/李灿森/
HD

反恐疑云

1.0 杰克·吉伦哈尔/瑞茜·威瑟斯彭/梅丽尔·斯特里普/艾伦·阿金/彼得·萨斯加德/奥玛尔·梅特瓦利/艾格尔·纳尔/哈达尔·拉特松·罗滕/J·K·西蒙斯/西蒙·阿布卡瑞安/莫阿·库阿斯/奇内布·乌凯什/阿拉米斯·奈特/Rosie/Malek-Yonan/穆尼尔·马戈姆/鲍勃·冈顿/雷曼德·阿萨雷米/Wendy/Phillips/Christian/Martin/哈萨姆·甘西/纳吉布·尼西里/芭妮·里维拉/安妮·贝坦克特/理查德·多顿/Floella/Benjamin/Michael/Dube/斯蒂夫·汤姆/罗伯/
HD

拯救者1998

10.0 娜塔莎·金斯基/Pascal/Rollin/卡特林·福斯特/丹尼斯·奎德/
HD

弗里格的秘密战争

3.0 保罗·纽曼/西娃·科丝西娜/安德鲁·杜甘/汤姆·博斯林/约翰·威廉姆斯/John/Williams/查尔斯·葛雷/Charles/Gray/维托·斯科蒂/维尔纳·彼得斯/詹姆斯·格雷戈里/法布里奇奥·米奥尼/诺曼·费尔/巴克·亨利/
HD

新兵马强

4.0 刘衍利/葛存壮/沈冠初/蔡明/谢园/
HD

美利坚邦联

7.0 威廉·亚当斯/杰齐贝尔·阿纳特/金伯利·坎贝尔/

HD

高加索的俘虏

9.0 欧列格·缅希科夫/小谢尔盖·波德洛夫/Jemal/Sikharulidze/
HD

堕落天使2006

1.0 皮尔斯·布鲁斯南/连姆·尼森/安吉·哈蒙/
HD

枪访要塞

2.0 杜振清/沈惠芬/马树超/
HD

毛毛喋血记

1.0 罗克·赫德森/达娜·温特/温蒂·希勒/华诺·埃尔南德斯/威廉·马歇尔/罗伯特·比提/沃尔特·菲茨杰拉德/迈克尔·佩特/伊凡·迪克森/Ken/Renard/弗雷德里克·奥尼尔/西德尼·波蒂埃/John/Akar/约翰·安德逊/罗伯特·安德森/巴里伯纳德/Naaman/Brown/安吉拉·卡特怀特/Carl/Christian/温斯顿·丘吉尔/Leslie/Denison/John/Dodsworth/威尔顿格拉芙/达比·琼斯/克·琼斯/Charles/Keane/布鲁斯·莱斯特/Jack/Lynn/Anna/
HD

逃离索比堡

9.0 艾伦·阿金/乔安娜·帕库拉/鲁格·豪尔/Hartmut/Becker/杰克·谢菲尔德/
HD

羞辱1931

1.0 玛琳·黛德丽/维克托·麦克拉格伦/古斯塔夫·冯·赛费蒂茨/华纳·欧兰德/卢·科迪/Barry/Norton/Max/Barwyn/B.F./Blinn/Allan/Cavan/戴维森·克拉克/Alexis/Davidoff/威廉·B·戴维森/Walter/Downing/Geraldine/Dvorak/Adolph/Faylauer/Joseph/W./Girard/Al/Hart/拉姆齐·希尔/乔治·欧文/伊桑·莱德劳/汤姆·朗顿/威尔弗雷德·卢卡斯/Harold/Nelson/Paul/Panzer/
HD

野狼呼叫21

7.0 吉恩·哈克曼/丹尼·格洛弗/杰瑞·里德/
HD

理查三世1955

1.0 劳伦斯·奥利弗/塞德里克·哈德威克/尼古拉斯·汉嫩/拉尔夫·理查德森/约翰·吉尔古德/
HD

解放1：炮火弧线

1.0 尼古拉·奥拉宁/拉里莎·戈卢布金娜/Boris/Seidenberg/谢尔盖·尼科年科/弗谢沃洛德·萨纳耶夫/Vladimir/Samoylov/
HD

解放2：突破

6.0 尼古拉·奥拉宁/拉里莎·戈卢布金娜/Boris/Zajdenberg/谢尔盖·尼科年科/弗谢沃洛德·萨纳耶夫/弗拉基米尔·萨莫伊洛夫/Yuri/Kamornyj/Valeri/Nosik/米哈伊尔·乌里扬诺夫/弗拉德连·达维多夫/Yevgeni/Burenkov/谢尔盖·哈钦科/弗拉季斯拉夫·斯特尔热利奇克/Yuri/Legkov/德米特里·弗兰科/Bukhuti/Zakariadze/Stanislaw/Jaskiewicz/Fritz/Diez/伊沃·加拉尼/Gerd/Michael/Henneber/

换一换

出生证明 HD中字10.0

10.0

网友评分

很差

较差

还行

推荐

力荐

85次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

战争片排行榜

出生证明 HD中字10.0 10.0 网友评分 很差 较差 还行 推荐 力荐 85次评分 给影片打分 《出生证明》 很差 较差 还行 推荐 力荐 我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

战争片排行榜

出生证明 HD中字10.0

10.0

网友评分

很差

较差

还行

推荐

力荐

85次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分